The Political Significance of the Face: Deleuze's Critique of Levinas

While Levinas famously claims that ethics precedes ontology and emanates from the concrete experience of the other's face, it is often forgotten that Deleuze also discusses the face in numerous writings. The purpose of this paper is to briefly outline Levinas's arguments regarding the constitution of the face to chart its ethical importance, before engaging with Deleuze's critique of Levinas's position. I show that, by distinguishing between two systems of signification – the head-body system and the face system – Deleuze agrees with Levinas that the face is an important signifier delineating the other, but destructs the notion of face to show that it: (1) is more complex and multi-dimensional than Levinas realizes; (2) emanates from a specific semiotic relationship; and (3) emanates from specific socio-historical circumstances. Showing the face is a semiotic construct based in and emanating from a specific socio-historical configuration allows Deleuze not only to conclude that the face is related to politics not ethics as Levinas claims, but also to claim that it entails the inhuman in the human. This clarifies the nature of the face in Deleuze, offers a critique of Levinas's influential thinking on ethics, brings us to a discussion of the relationship between ethics and politics and reveals what Deleuze takes the political to entail.     

How Legislation is Drafted and Enacted in Bangladesh

The creation of laws is the most direct and powerful legislativetool available to governments to fulfill their political mandate.Not surprisingly, the drafting and enactment of legislationin many Commonwealth countries often follow the same generalpattern as that established by the United Kingdom. Nevertheless,each country adds a sprinkling of local flavour and custom toits own practices. What follows is an overview of the legislativeprocess in the People’s Republic of Bangladesh, highlightingthe various distinct stages involved in the making of laws—suchas developing policy, drafting legislation, presenting proposedlaws to Parliament, final approval by the president, and publicationin the Official Gazette. Comparisons are also made with theCanadian and United Kingdom legislative drafting experiencewhere appropriate.     

‘Our songs were our stones’: song and struggle in the treatment action campaign

With 3 million people receiving anti-retroviral therapies (ARV) in South Africa, it has the largest public ARV programme in the world. The implementation of this programme was made possible by the efforts of AIDS advocacy groups that lobbied the government to make ARV available. Chief among these was the Treatment Action Campaign (TAC). The group mobilised South Africans across socio-economic and racial lines against the AIDS denial of key members of the African National Congress (ANC). Through interviews with TAC members and ethnographic accounts of ©current activism, this paper examines song as a method of mobilisation against HIV/AIDS-related injustices. As instrumental components of the liberation struggle, songs have become ubiqioutus within protest action, as demonstrated by the recent hashtag student movements. By utilising similar forms of rights-based activism found in the country's liberation struggle, TAC is able to tap into reservoirs of emotional potential rooted in political struggle.     

Factors influencing the contamination of UK banknotes with drugs of abuse

Bank of England banknotes sampled from different locations in the UK have been analysed for the presence of cocaine, diamorphine (DAM), Delta(9)-tetrahydrocannabinol (THC) and 3,4-methylenedioxymethamphetamine (MDMA). A database of the contamination detected is routinely used as a benchmark against which the contamination detected on seized banknotes can be compared. Evidence presented at court details how banknotes seized from a suspect may differ from banknotes in general circulation in terms of their contamination with controlled drugs. A question arising from such evidence is whether seized banknotes could have become contaminated through being in circulation in drug "hot spots". In order to address this issue, a Plackett-Burman experimental design was used to investigate the influence of source location and other factors on banknote contamination with drugs of abuse. Banknotes were drawn from banks in eight regions throughout the UK. Each location could be described by a unique combination of the factors under investigation, namely whether the location was rural or urban, in the North or South of the UK, and whether it was a port of entry. The socio-economic class and the proportion of drug offenders in the area and the denomination of the banknotes were also considered as potentially influential factors. Indices were calculated to describe the degree to which samples were contaminated with different drugs, and normal probability plots were used to identify the factors that could account for the contamination observed. Whilst some factors were more influential than others, it was shown that, at the 95% confidence level, none of the proposed factors were significant influences on the contamination. Cocaine contamination on banknotes has been shown to follow a log-normal distribution. It was, therefore, possible to calculate F- and t-statistics to compare the cocaine contamination on the entire sample set with that detected on a second sample set consisting of banknotes all drawn from a single bank branch. It was shown that both inter-bank samples and intra-bank samples had similar variance and similar contamination levels at the 95% confidence level. This suggests that there are no significant regional trends in the contamination of banknotes with drugs of abuse across the UK.     

Socio‐economic differentiation and relations of production among rural‐based petty producers in central Peru, 1880 to 1970.

In an attempt to uncover the complexity of socio‐economic differentiation, detailed evidence is presented of the changing production relations among the Huasicanchinos of Central Peru over a period of ninety years.

It is argued that the process of differentiation can only be understood within the context of a quite specific system of production. An examination of the specificity of the relations of production in a particular period then reveals the complexity of this differentiation process and exposes some of the difficulties involved in a class analysis where capitalist relations have not been generalised throughout the social formation.

The study of this group of Central Peruvian petty producers over ninety years reveals that the differentiation process was a function of specific features of the relations of production in each of three periods; these relations were themselves emergent from the articulation of huasicanchino petty production with the changing form of dominant capitalism in Peru. As a function of differing relations to large capital, petty production units took on a variety of forms. Qualitative differences in the form of small production units in one period then gave rise to quantitative differences in control over resources in a subsequent period. Quantitative differences were in turn expressed in variations in relations of production between controllers and direct producers, and so on.

It is concluded that assumptions about inevitable polarisation should not obscure the complexity of a process which can only be understood by reference to the particular history of a social formation.     

The art of law (and the law of art) is perpetual crisis

In this performance-based work, which essentially concerns the fable of ‘Khi + Ordo’, we obliquely—through visual-textual storytelling—focus on what we call ‘the agency of the artist-scholar’, deconstructing, inter alia, many of the rules and regulations associated with the art-academic industrial complex—i.e., the institutional dictates to produce commodifiable works, the enforced metrics associated with authorised forms of research and publication, and the often-inelegant and mostly unnecessary dance that the artist-scholar performs with ‘all of that’. The photo-essay is developed from the archive of the Out of India Collective (OOI), but in association with the Metropolitan Transmedia Authority (MTA), its successor collective. It draws upon documents associated with OOI experiments in transmedia undertaken across multiple submissions for residencies, exhibitions, and publications in both academia and the art world in the years 2017–2019, even as it focuses upon the fable of ‘Khi + Ordo’. ‘Ordo’ is a synonym (or metaphor) for totalitarian states and regimes—‘regimes’ being, in this case, those that rule art + law. ‘Law’ here infers, through its negation, the appearance of a higher law, one that is entered upon when one resists assimilation to the rules and regulations associated with police states—incipient or otherwise. We call that other law ‘works-based agency’, and the artist-scholar is beholden to it once s/he departs company with all such quotidian systems of abject hegemony. One crisis leads to another, so to speak, on multiple levels and all at once.

     

Acquisition‐Hungry Premier Swallows RHM*

Premier Foods was successful in becoming the UK's largest grocery supplier in early 2007 after the Office of Fair Trading (OFT), the UK competition authority, approved its £1.2 billion purchase of RHM. The merger means that iconic brands often found in British kitchens, such as Hovis breads, Lyons cakes, Bird's custard, Branston pickle, and dozens of other well‐known products, will now be manufactured by the same food group.

Gavin Murphy examines the OFT's merger assessment.